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Monthly Archives: May 2014

i had learned to ignore the meaning
behind each lyrical mnemonic.
the bass alone– it pulls the trigger
to old, anterograde alarm clocks

the bass alone is an agreement
of the senses disturbed by its push.
cadence impulsively follows beat,
a nonexistent hook to false why’s

and true woes that break monotonous
inconsistency, the undefined
habits of defining anything
for illusory understanding.

the bass alone does not have meaning.
its excitement draws from destruction
of reason, curious cat’s tongue damaged
to lack guilty conscience for casual

excuses to interpret the bass
as a cue to unwind your gut feeling,
to replay the track whose meaning we’ve
learned to mutually love and ignore.

the bass, alone, is no more.

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